Composers

Musicians who distinguished themselves as primarily as composers.

Feb 272011
 

Johann Sebastian Bach (1685 – 1750) is one of the most important figures (if not the most important and influential figures, in all of Western Music. Yet, as often can be the case, by the end of his career, many considered him “old hat”. At the end of the Baroque period, the Classical style. Haydn was nearly an adult, and Mozart and Beethoven would be dominating the 2nd half of the 18th century.

(He) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. – Donald Grout, (1980), A History of Western Music.

Jan 082011
 

Young Franz Schubert

What makes a melody beautiful, interesting or memorable?

I wish I knew the formula to make that happen. Of course, there is no “formula” (fortunately). But we can all look back at songs we know of and make these sorts of assertions.Here we will look at examples of melodies and deconstruct them for the purpose of shedding light on the craft of songwriting.

On a big poster you could write the names of all 600+ songs Franz Schubert wrote in his 31 years on the planet, throw a dart and hit a gem. Let’s look at his song An Die Musik. The song was once sung (really well) by Garret Morris on the first season of Saturday Night Live. (The gag was joke text scrolling by as he sang).

The song is an homage to music, as you can see in the english translation (it doesn’t translate very well from the original German):

Oh lovely Art, in how many gloomy hours,
When life’s fierce orbit entangled me,
Have you kindled my heart to warmer love,
have you carried me away into a better world!

How oft’ has sighs, flown from your harp–
A sweet, sacred chord from you–
Unlocked for me the heaven of better times,
Oh lovely Art, for that I thank you for this,
You lovely art, I thank youI

Looking at this song from a compositional standpoint, let’a see if there are any clues as to why the song works so well. There is just enough intro (2 bars) to establish the key and to set the singer up, that is, enable the singer to get the beginning in his/her head. The bass in the piano does that, and the pattern is echoed throughout the rest of the song. Then the intro resolves to home key in the 1st beat of the 3rd bar, Now it’s the singer’s turn. When it goes to the IV chord, the piano’s high note changes, and “clues” the singer for the chord change (bar 7). It goes the the relative minor after that, and back home, setting up the piano. The piano then does an interesting sequence to get to the I, where the singer comes back in; but that line is mostly on the V chord, and the piano is right there with it. Shortly, the piano part plays an obvious build-up to move the the IV chord, which soon becomes B minor, the climax of the song. Then the vocal line’s movement brings us to the end of the 1st verse. The piano interlude, bringing us around to the 2nd verse is memorable. It even briefly includes a lydian mode IV chord, and later, an E min/maj 9th chord.

Wikipedia->Franz Shubert

Jan 042011
 
Antonio (Tom) Carlos Jobim

Antonio (Tom) Carlos Jobim

Antonio Carlos Jobim (1927 – 1994) was an arranger, a composer, singer, pianist, and guitarist.

In 1964, the album “Getz/Gilberto” launched him into the public in the U.S., and also the world. It was wildly popular, and is definitely a desert island pick.The album includes the song, “Girl From Ipanema” which was a huge hit in the U.S. It has since been recorded hundreds of times, and is considered a Jazz Standard. In this album, the song is sung in both Portuguese and English. Joao Gilberto sings in Portuguese and his wife, Astrud Gilberto,whose native tongue is Portuguese sings in both English and Portuguese. This cut is usually considered the original. The personnel on the album are Stan Getz, saxophone, Joao Gilberto, singer and guitarist, Astrud Gilberto, singer, and Jobim, Guitar, Piano, Voice,  Commposer. This album and song launched the Bossa Nova craze in the U.S., and soon, the rest of the world.

Jobim is known in Brazil by “Tom Jobim”. In 1967, he scored the music for the film Black Orpheus. This film is a love story, but it is also one to see if you need more Carnivál in your life